Sunday, 21 April 2013
Friday, 12 April 2013
CURRICULUM VITAE
Curriculum Vitae
| JAMES PHAILY DOB-02/08/77 | |
 |
EXHIBITIONS AND WORK EXPERIENCE
Deep Philosophical Thoughts Stole my Bike… , 2013
Greestone Centre, showing final work at the culmination of my B.A in Fine Art
form Lincoln University.
Outrageously Pretentious (Outro)-March 2013, Over and
Out Gallery, Lincoln-Spoken Word Performance as part of the Exhibition.
Acoustic Night, February 2013, Café Aroma, Lincoln.
Acoustic Set-As part of degree show fundraising project.
Wheel of Fortune, February 2013-Performance in Tithe
Barn, Greestone Centre. Self-penned ritual performance in front of an audience.
Newvolutions Festival, January 2013, Attended Live Art
Workshop with Dr. Traci Kelly at LPAC.
Third Year, Mid-Term Exhibition-November
2012,Greestone Gallery, Lincoln. Two of my drawings were exhibited, I also
delivered a performance piece with Dale Fearnley and Charlie Seymour.
The Hours, Mistaken Prescence Gallery,November
2012,Worked as security for Louise K.Wilson.
Doom On Brother-November2012,Collaborative,Conceptual project with Dale Fearnley and Charlie Seymour at the OPEM Exhibition, Collection, Lincoln.
Beacon Art Project, Compass Exhibition,
September-November 2012, As part of the Invigilation and Stewarding team for
the Annual Beacon Exhibition.
Final Degree Show-June 2012 Assisting level three fine
art students with their Final Major Project.
Mistaken Presence Gallery-May 2012-Onwards, Invigilator
at Greyfriars Gallery and studio space in Lincoln
Crocodiles with a Second Skin Thrash -Exhibition, May
2012, performative role at Over and Out Gallery in Lincoln.
You’ve Got Everything Now-Exhibition May 2nd-9th
at DOGMA Bar and Restaurant with other Lincoln University Fine Artists
But a storm is blowing from paradise, March 13th-19th
Greestone Gallery, Lincoln,
Collaborative exhibition between second and third year fine art students.
Doom On Brother! February2012- Ongoing conceptual
project with Dale Fearnley of Over and Out Gallery and John Plowman of Beacon
Art Project
A Working Title, November 2011-“A Protest in Silence,”
An Art Intervention in Lincoln
Town Centre assisting
Art project DR-Tom Cretney and Nick Simpson.
Post-Methodists Second Supper, Gallery, Lincoln November 2011
A Performative role - as part of an Art Intervention project at The
Monks Gallery in Lincoln.
Beacon Art Project, 2010-2011-Onwards Assisting John
Plowman and Nicola Streeten as a Volunteer and Organiser of Bi-monthly Art
Events
Daniel Dallman, October 2011 - Exhibition in the
Greestone Gallery, Lincoln, as a curatorial volunteer.
Exhibition Now-October 2011- Small Group Exhibition in
the Greestone Gallery, Lincoln
Charter of the Forest, August 2011- Curatorial volunteer assisting Lincoln Art Programme
with a site-specific exhibition in Chambers Farm Wood, Lincoln.
Final Degree Show-June 2011- Curatorial Volunteer for the third year final
show in the Greestone Gallery, Lincoln.
Group Exhibition-June 2010- Final Major Project Show
for my Foundation Year in Art and Design, Doncaster College.
Employment
2008-2009- Support Worker, MENCAP, Hatfield, Doncaster
2006-2008-Visiting Lecturer, teaching A-Level Media
Studies, Doncaster College
2007-2008-Visiting Lecturer, teaching BTEC National Diploma Performing Arts
For all those who are interested-here is what i have been getting up to art-wise in the Lincoln Area over the past three years-Enjoy!x
Sunday, 17 March 2013
SERPENT EVE
CATHEDRAL-Forest of Equilibrium, (1991) an appreciation-by
James Phaily….
To say this
album is crushingly heavy is an understatement! When I first encountered this
record
in the early
noughties I couldn’t believe the serpent’s treasure that I had found.
In other
words I had been listening to Stoner
bands like Kyuss and Queens Of the Stoneage, within this were whispers of a
world that were trapped in the 1970’s and born too late-I dug this! Then I
found CATHEDRAL and immediately decided to form a band-which I did, and for
three years, whence our power trio rode our sharks desire…
And so-onto the album itself! It makes no apologies for its
sound, remains sludgy, yet still gets down with it’s bad self-starts with a hip
interlude, straight from Glastonbury Fayre entitled,“Pictures of Beauty and Innocence,”
then we enter the forest and bear witness to its unearthly delights!
Like all the NWOBHM bands, yet mixed with a Sabbathian aesthetic
that knows no satiation. Tracks like Ebony Tears and Serpent Eve have a philosophy
behind them which embodies the doom of bands like Saint Vitus and Pentagram-yet
so slow, waiting for what?
Exalting in the Cathedralian, Nihilistic coven of the
Serpent, this our coven attend-“We’re Neophytes for,” “We’re Neophytes for,” “We’re
Neophytes for Serpent Eve,” “We are Neophytes for Serpent Eve” ‘”We’re
Neophytes for the Serpent of Eve”….
“Soul Sacrifice”- is welcome respite, got a groove on it so
bad, like heavy metal from the skies-I listen with a big smile on my face-“Soul
Sacrifice”-“sacrifice my soul for you”…
“A funeral request” is perhaps the highlight of the album-sounds
even better on the album with the use of the twin guitars, by the time we get
to “Equilibrium” and “Reaching Happiness, touching pain” and also the addition
of a seventies “Jazz” flute I am in seventh heaven, both pleasure and pain-this
album is hot and I recommend it to anyone who wants to get laggered and expand
their consciousness-“true doom baby”, “true doom”….
This album is a true gem and arguably influenced the
onslaught of sounds made by bands such as, “The Electric Wizard,” “Iron Monkey” and not to mention drone druids
“SUNN0)))” and “BURNING WITCH”-LET THERE BE DOOM,JIM,03.13…
Wednesday, 13 March 2013
Zap!-That's Witchcraft!
Friday, 25 January 2013
NEU PAINTING
More Esoteric Resistance
They are:
1.Anubis.
2Goddess Aplenty.
3The Flowers of Melek-Taus.I hope to make larger drawings combining pastel, pencil and watercolours in the future-Watch This Space!x
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